Dallas Pavilion 2019 presents a set of alternative models for cultural development and commentary highlighting the diversity of urban communities over the narrower commercial interests of corporate developers and the tourist industry.
Continue reading “Report from Dallas Pavilion 2019 (May 8, 9, & 10) Venice Biennale”
Typographic Samples, Pictures & Polemics (1986) was published in an edition of 500 by Nexus Press, Atlanta, GA. The book received the Mary Ellen LoPresti Award for Best Monograph of 1987 by ARLIS/NA and has been exhibited by the Museum of Modern Art, NY (Committed to Print, 1988) and is in the collections of the Whitney Museum of American Art (New York), TateModern (London), the Victoria and Albert Museum (London), the Marvin and Ruth Sackner Archive (Miami Beach, FLA), and the Getty Museum (Los Angeles), among other institutions, collections and libraries.
The print edition is sold out, but is now available in digital format.
Continue reading “Now Available in Digital Format: Typographic Samples, Pictures & Polemics (1986)”
As If The Pillars of Society (1987) is a large-format (11” x 17”) spiral-bound collection of twenty-seven typographic compositions published by Clarté Press, New York in an edition of 1000 copies.
The print edition is sold out, but is now available in digital format.
Continue reading “Now Available in Digital Format: As If The Pillars of Society (1987)”
An ongoing series of digitally translated images based on previous works.
Abstract: The phenomenon of recurring international exhibitions is addressed with respect to an “aesthetic of experience” and the role played by international curators in the creation of contemporary art. Drawing on recent publications by Caroline A. Jones, Charles Green, and Anthony Gardner, it is argued that critical power of experientially immersive contemporary art projects commissioned for biennials, triennials, and documenta is highly overrated. Continue reading “Still Jet Lagged and Eye Sore (2019)”
“In a pluralistic conception of discipline”, suggests Jann Pasler, “the question is not so much what is new or old, or what needs to be replaced or superseded, but rather how each perspective can be enriched by the presence of the other.”
The very idea of interdisciplinarity is contentious, even as the term positions itself alongside “entrepreneurship” as the buzzword of the age. Continue reading ““Rethinking Art and Philosophy as an Interdisciplinary Field” (2019) Abstract & Video”
INVISIBLE COLLEGE CONVERSATIONS 