Now Available in Digital Format: Typographic Samples, Pictures & Polemics (1986)

Typographic Samples, Pictures & Polemics (1986) was published in an edition of 500 by Nexus Press, Atlanta, GA. The book received the Mary Ellen LoPresti Award for Best Monograph of 1987 by ARLIS/NA and has been exhibited by the Museum of Modern Art, NY (Committed to Print, 1988) and is in the collections of the Whitney Museum of American Art (New York), TateModern (London), the Victoria and Albert Museum (London), the Marvin and Ruth Sackner Archive (Miami Beach, FLA), and the Getty Museum (Los Angeles), among other institutions, collections and libraries.

The print edition is sold out, but is now available in digital format.

Continue reading “Now Available in Digital Format: Typographic Samples, Pictures & Polemics (1986)”

“New York: The Eighties, Part One”

Humiliation box-1
Michael Corris, “The Gift” (1987) Serigraphy on Formica, acrylic on wood

Le Consortium Museum, Dijon, France

Exhibition from Saturday, November 24, 2018 until Sunday, April 14, 2019

Open Wednesday through Sunday from 2 to 6pm and Friday from 2 to 8pm

Still Jet Lagged and Eye Sore (2019)

Abstract: The phenomenon of recurring international exhibitions is addressed with respect to an “aesthetic of experience” and the role played by international curators in the creation of contemporary art. Drawing on recent publications by Caroline A. Jones, Charles Green, and Anthony Gardner, it is argued that critical power of experientially immersive contemporary art projects commissioned for biennials, triennials, and documenta is highly overrated. Continue reading “Still Jet Lagged and Eye Sore (2019)”

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