Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020

Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020 is an exhibition of new work in the form of excerpts of selected texts and images by the artist and his colleagues. Because of the national emergency sparked by the COVID-19 pandemic, these works are now available to view online at https://www.smu.edu/libraries/hamon/exhibitions/Online-Exhibition/Gallery-View and on this website, below.*

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Now Available in Digital Format: Typographic Samples, Pictures & Polemics (1986)

Typographic Samples, Pictures & Polemics (1986) was published in an edition of 500 by Nexus Press, Atlanta, GA. The book received the Mary Ellen LoPresti Award for Best Monograph of 1987 by ARLIS/NA and has been exhibited by the Museum of Modern Art, NY (Committed to Print, 1988) and is in the collections of the Whitney Museum of American Art (New York), TateModern (London), the Victoria and Albert Museum (London), the Marvin and Ruth Sackner Archive (Miami Beach, FLA), and the Getty Museum (Los Angeles), among other institutions, collections and libraries.

The print edition is sold out, but is now available in digital format.

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“New York: The Eighties, Part One”

Humiliation box-1
Michael Corris, “The Gift” (1987) Serigraphy on Formica, acrylic on wood

Le Consortium Museum, Dijon, France

Exhibition from Saturday, November 24, 2018 until Sunday, April 14, 2019

Open Wednesday through Sunday from 2 to 6pm and Friday from 2 to 8pm

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