Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020 is an exhibition of new work in the form of excerpts of selected texts and images by the artist and his colleagues. Because of the national emergency sparked by the COVID-19 pandemic, these works are now available to view online at https://www.smu.edu/libraries/hamon/exhibitions/Online-Exhibition/Gallery-View and on this website, below.*
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Dallas Pavilion 2019 presents a set of alternative models for cultural development and commentary highlighting the diversity of urban communities over the narrower commercial interests of corporate developers and the tourist industry.
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Typographic Samples, Pictures & Polemics (1986) was published in an edition of 500 by Nexus Press, Atlanta, GA. The book received the Mary Ellen LoPresti Award for Best Monograph of 1987 by ARLIS/NA and has been exhibited by the Museum of Modern Art, NY (Committed to Print, 1988) and is in the collections of the Whitney Museum of American Art (New York), TateModern (London), the Victoria and Albert Museum (London), the Marvin and Ruth Sackner Archive (Miami Beach, FLA), and the Getty Museum (Los Angeles), among other institutions, collections and libraries.
The print edition is sold out, but is now available in digital format.
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As If The Pillars of Society (1987) is a large-format (11” x 17”) spiral-bound collection of twenty-seven typographic compositions published by Clarté Press, New York in an edition of 1000 copies.
The print edition is sold out, but is now available in digital format.
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Le Consortium Museum, Dijon, France
Exhibition from Saturday, November 24, 2018 until Sunday, April 14, 2019
Open Wednesday through Sunday from 2 to 6pm and Friday from 2 to 8pm
An ongoing series of digitally translated images based on previous works.
