Continue reading “InvisibleColors The Video (2022)” →

Continue reading “Palette-Talk: Change the Image or the World, Well Which? (2022)” →

Continue reading “New York: The 80s. Parts 1 & 2 (extended version): Le Consortium Museum of Contemporary Art, Dijon, France” →

Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020 is a new publication in the form of images, abstractions, and excerpts of texts by the artist and colleagues. The publication links two themes that define my standpoint as an artist and writer in dialogue with the institutions of art: the impact on artists of the global art network and the future of self-managed, sustainable support structures by and for artists and their public.

Continue reading “Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020 (Publication)” →

Dallas Pavilion 2019 presents a set of alternative models for cultural development and commentary highlighting the diversity of urban communities over the narrower commercial interests of corporate developers and the tourist industry.

Continue reading “Report from Dallas Pavilion 2019 (May 8, 9, & 10) Venice Biennale” →

Continue reading “Free Museum of Dallas in Exile: “How to Look at Conceptual Art”, Part 1 (2019)” →