Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020

Incidents on a Page: Dallas-Venice Dreamscapes: 1976-2020 is an exhibition of new work in the form of excerpts of selected texts and images by the artist and his colleagues. Because of the national emergency sparked by the COVID-19 pandemic, these works are now available to view online at https://www.smu.edu/libraries/hamon/exhibitions/Online-Exhibition/Gallery-View and on this website, below.*

Continue reading “Incidents on a Page: Dallas-Venice Dreamscapes, 1976-2020”

“New York: The Eighties, Part One”

Humiliation box-1
Michael Corris, “The Gift” (1987) Serigraphy on Formica, acrylic on wood

Le Consortium Museum, Dijon, France

Exhibition from Saturday, November 24, 2018 until Sunday, April 14, 2019

Open Wednesday through Sunday from 2 to 6pm and Friday from 2 to 8pm

Emblems (2015)

Emblems are complex allegorical symbols constructed by linking a motto, an image, and a commentary.

The abundant lexicon of text and image relationships — description, alienation, disruption, translation, and simplification, to name a few — provides entry points for our conversation with the emblem. Continue reading “Emblems (2015)”

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